
Two AI-generated hero films for VITON13’s store and studio sites, and the GELO perfume film cut into 169 frames that play as the visitor scrolls.
Overview
Bring motion to the first block of store.viton13.com and studio.viton13.com, and present GELO on the VITON XIII page as a film the visitor plays by scrolling. These are VITON13’s own sites, so the brief was mine as well: no client commissioned or paid for these films.
23.32 s
store film, one loop
Source: ffprobe of the published file
11.08 s
studio film, one loop
Source: ffprobe of the published file
169
GELO frames, played by scroll
Source: Published frame set
1920×1080
hero films, frame size
Source: ffprobe of the published files
Approach
Both hero films are AI-generated, not shot on camera. The store film was generated with Seedance 2.5 and chosen on 17 September 2026; the studio film was made for the first block of studio.viton13.com. Each has a 1920×1080 poster frame.
For GELO I cut every frame of the render into two WebP sets of 169 frames — 1440×810 for desktop and a 720×810 centre crop for phones — and built the scroll playback on the VITON XIII page. A script cuts the render with ffmpeg, sharp writes the WebP files, and the page reads how many frames there are; the desktop set weighs 3.1 MB, the phone set 2.2 MB.
Both hero films are H.264 at 1920×1080 with no audio track. The store loop runs 23.32 seconds at 25 fps and weighs 7.2 MB; the studio loop runs 11.08 seconds at 24 fps and weighs 3.4 MB. They play muted, looped and inline, only while on screen; when a visitor’s system asks for reduced motion the film pauses, and without JavaScript the poster frame is shown.
Gallery
Results
The store film plays across the first block of store.viton13.com and the studio film in the first block of studio.viton13.com. The GELO scroll film runs on the VITON XIII page rather than on the GELO product page. All three are live on VITON13’s own sites.
What this does not prove
These are my own films for VITON13’s own sites, not client work. The two hero films are AI-generated, not live-action footage. How the GELO render itself was made is not documented, so this case covers only cutting it into frames and playing them by scroll.
The files on the sites carry no sound, so nothing here shows sound design. There is no view or engagement data for any of the three films, and I make no claim about their effect on visits, orders or sales.
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